An Interview with Milo Rau “My Leadership Model is Permanent Revolution“ In: Spike Art Magazine, 03. AUG 2023
A conversation with Chantal Mouffe “We need a new social Imaginary” In: Demokratie heute. Probleme der Repräsentation. Eds. Florian Malzacher, Raimar Stange. Exhibition Catalogue. Berlin: KINDL – Zentrum für zeitgenössische Kunst, 2021. 14-15.
Theatre as Assembly In: Why Theatre? Eds. Milo Rau / NTGent et al. Berlin: Verbrecher Verlag, 2020. 170-173.
Lola Arias: Identities in Negotiation In: Lola Arias: Re-enacting Life. Ed. Jean Graham-Jones. Abersystwyth: Performance Research Books, 2019. 242-247.
Discomforts, Obstacles and Artistic Infidelities. The Theatre of Kelly Copper and Pavol Liška In: The Life and Work of Nature Theater of Oklahoma. Ed. Florian Malzacher. Berlin: Alexander Verlag, 2019. 13-37.
Theatre as Assembly. Spheres of Radical Imagination and Pragmatic Utopias In: A Live Gathering: Performance and politics in contemporary Europe. Eds. Ana Vujanovic with Livia Piazza. Berlin: b_books, 2019. 178-199.
Bethinking One’s Own Strengths. The Performative Potential of Curating In: Curating Live Arts. Critical Perspectives, Essays, and Conversations on Theory and Practice. Eds. Dena Davida et al. New York & Oxford: Berghahn, 2018. xvi-xxi.
A conversation with Daniel Wetzel/Rimini Protokoll Almost Like a Teaching Play In: Intermedial Performance and Politics in the Public Sphere. Eds. Katia Arfara, Aneta Mancewicz, Ralf Remshardt. London: Pelgrave Macmillan, 2018. 191-208.
Feeling Alive. The Performative Potential of Curating Empty Stages, Crowded Flats. Performativity as Curatorial Strategy. Eds. Florian Malzacher & Joanna Warsza. Berlin: Alexander Verlag, 2017. 28-41.
A conversation with Ahmet Öğüt “How Can We Imagine a School Culture Based on Solidarity?” In: The Silent University. Towards a Transversal Pedagogy. Eds. Florian Malzacher, Pelin Tan, Ahmet Öğüt. Berlin: Sternberg Press, 2016. 12-23.
A conversation with Chantal Mouffe about the Silent University “Art can’t change the world on its own” In: The Silent University: Towards a Transversal Pedagogy. Eds. Florian Malzacher, Pelin Tan, Ahmet Öğüt. Berlin: Sternberg Press, 2016. 12-23.
No Organum to Follow. Possibilities of Political Theatre Today In: Not Just a Mirror. Looking for the Political Theatre of Today. Ed. Florian Malzacher. Berlin/London: Alexander Verlag & Live Arts Development Agency, 2015. 16-30.
A conversation with Yael Bartana We need to create alternative Moments of Commemoration In: Two Minutes of Standstill. A Collective Performance by Yael Bartana. Eds. Florian Malzacher & Stefanie Wenner. Sternberg Press Berlin: 2014. 12-23.
Empty Stages, Crowded Flats. Performative curating performing arts In: Scenekunsten og de unge. Eds. Sidsel Graffer & Ådne Sekkelsten. Oslo: Vidarforlaget AS, 2014. 114-125.
Putting the urinal back in the restroom. The symbolic and the direct power of art and activism In: Truth is Concrete. A Handbook for Artistic Strategies in Real Politics. Eds. Florian Malzacher & steirischer herbst. Sternberg Press, 2014. 12-25.
A conversation with David van Reybrouck “People are hostile because they only can vote every couple of years!” Published on the blog for “Truth is concrete”, 30 Jan 2012
A conversation with the cyber activist Sofiane Belhaj (Hamadi Kaloutcha) about the role of the Internet in the Tunisian revolution “A tool to develop oppositional ideas, and not to be afraid” Published on the blog for “Truth is concrete”
A conversation with Gabriela Rendon and Miguel Robles-Durán (Occupy Wall Street) “We cannot be pessimistic” In Camera Austria 117 (2012). 31-36.
Dramaturgies of Generosity. The Theatre of BADco. In: One Needs to Live Self-Confidently… Watching. Eds. What, How & for Whom / WHW. Zagreb/Venice: WHW, 2011. 26-29. Catalogue for the Croatian Pavilion, 54. Bienale di Venezia.
No outside. Nowhere. Theatre critics’ struggle for criteria, distance. And, of course, money. In: 25. Ed. Marie Nerland. Bergen: BIT Teatergarasjen, 2010.
A conversation with William Forsythe “You can be a virtuoso at being sloppy” In: herbst. Theorie zur Praxis (2010): 62-65.
A conversation with Christoph Schlingensief Blurring Boundaries/Changing Perspectives In: Christoph Schlingensief. Art Without Borders. Eds. Tara Forrest & Anna Teresa Scheer. Intellect, 2010. 187-200.
Citizen of the Other Place: Christoph Schlingensief’s Trilogy of Fear and Hope In: Christoph Schlingensief. Art Without Borders. Eds. Tara Forrest Anna & Teresa Scheer. Intellect, 2010. 201-215.
Cause & Result: Curating Performing Arts In: Frakcija 55. Eds. Florian Malzacher, Tea Tupajić, Petra Zanki (2010): 10-19.
The Scripted Realities of Rimini Protokoll In: Dramaturgy of the Real on the World Stage. Ed. Carol Martin. London: Palgrave Macmillan, 2010. 80-87.
Dramaturgies of care and insecurity: The story of Rimini Protokoll In: Experts of the Everyday. The Theatre of Rimini Protokoll. Eds. Miriam Dreysse & Florian Malzacher. Berlin: Alexander Verlag, 2008. 14-43.
Forced Entertainment There is a Word for People Like You: Audience. The Spectator as Bad Witness and Bad Voyeur In: Not Even a Game Anymore. The Theater of Forced Entertainment. Eds. Judith Helmer & Florian Malzacher. Berlin: Alexander Verlag, 2004. 127-141.